THE AUGEAN STABLE OF INDIAN LETTERS

Subhas Chandra Pattanayak

The Sahitya Akademi , hereinafter called Akademi, was created as India’s National Academy of Letters. But sadly it has become the Augean Stable of Indian letters.

We will examine only one aspect: its annual awards to the “most outstanding” books in Indian languages, which is its principal aspect; and see how in this aspect it has become the Augean Stable.

Primarily addressed to Orissa’s interests as orissamatters.com is, we will begin with and continue to examine the scenario juxtaposed with the latest Sahitya award given to a book in Oriya.

This book is a novel captioned ‘Achinha Basabhumi’.

We have exposed earlier, in these pages, how the book is a despicable one, absolutely ineligible for the award and how the selection of this book was vitiated by malpractice, manipulation, and contravention of Rules.

We are now to look at the response of the Akademi to post-selection protests to see to what extent its awards stink of corruption to make it an Augean Stable.

Corruption in selection of this book as the “most outstanding book” in Oriya language for Sahitya Award 2011 had come to the attention of Sahitya Akademi sufficient ahead of presentation of the same award. But, as the selection was deliberate, it ignored the allegation.

LAB member resigns in protest

When the award was to be given on February 14, 2012, prominent member of the Akademi’s Oriya Language Advisory Board (LAB), Barendra Krushna Dhal tendered his resignation on December 24, 2011 in protest against irregularities in selection of this book. His letter of resignation had exposed the irregularities in two fronts: (1) In selecting this book, six other eminent writers – highly creative and popular – were completely ignored and (2) As if the jury members were to sign on dotted lines, they were not given enough time for a sound selection, as they were given eleven books each to read, compare and evaluate all those books in about a week’s time which was practically impossible.

So, allegation of manipulation in selection of this book was known to the Akademi by December 24, 2011.

Protest of the preeminent
member of the Jury

There were three members in the Jury: Chandra Sekhar Rath, Srinibas Mishra and Debdas Chhotray. The Akademi had made it four membered by adding the Convener Bibhuti Pattanaik to the Jury list, and by imposing him on the Jury as its President free to intervene in works of the Jury and influence its decision by way of obstruction and permission, paving thereby the way for selection of this particular book. This apart, the convener allowed regional secretary of the Akademi to play a part in the decision of the Jury, in view of which the Jury was a de facto body of five members in place of three.

However, amongst these Jury members, only one man – Chandra Sekhar Rath -was the most distinguished and preeminent one, the primacy of whose placement in the Jury stems from the emphasis laid down by the Haksar Committee and hence, whose opinion should have counted the most.

We will come to the Haksar Committee later. This much can be said now that as the activities of the three central Akademis including Sahitya Akademi were generating constant and immense dissatisfaction, the Central Government had appointed a Committee headed by Dr. H. J. Bhabha in 1964 to review their activities. Again in 1970 another Committee was appointed under chairmanship of Justice G. D. Khosla to review their functioning including action taken on the Bhabha Committee report. As both these Committees were more ignored than honored, the Central Government had to appoint a ‘High-powered Review Committee’ (HPRC) headed by Sri P.N. Haksar in 1988 “to review the working of the three Akademis, along with their affiliates and subsidiaries and the NSD with reference to the objectives for which they were set up, and keeping in mind the recommendations of Committees set up in the past in this behalf”.

In reviewing the Awards governed and given by Sahitya Akademi, this high-powered Committee had emphasized on change of criteria in appointment of Jury. Under Para 9.48 of its report, the HPRC had stipulated that, “At least one member of the jury should be a Fellow of the Akademi or an author who had won a Sahitya Akademi Award in the past”, which the Akademi has conveyed to have accepted.

This implemented recommendation of the Haksar Committee makes it unambiguously clear that the member of the Jury who is there because of being a Fellow of the Akademi or a winner of Award of the Akademi, will be of basic and guiding importance in the Jury.

And in the Jury we are concerned with, Prof. Chandra Sekhar Rath was the only member who had won the Akademi Award in 1997 for his short story compilation ‘Sabutharu Dirgharati’. So he was the most distinguished, preeminent member.

Prof. Rath had vehemently opposed the selection of ‘Achihna Basabhumi’ till the last moment in the meeting of the Jury. When with Debdas Chhotray’s secondary support it became clear that the book was bound to be selected with majority support, he had signed on the sheet of recommendation just to save the jury from the embarrassment of being fractured.

However, there, after signing, he had cried out his protests, as admitted by the Convener and in the public, after the award was announced, he had openly divulged that the selection was fixed.

On January 3, 2012, his version came to public attention through an interview published in Sambad wherein he stated that the selection was stage-managed and he had to sign on dotted lines against his conscience. This allegation from the most distinguished member of the Jury was too serious to be ignored.

The LAB Convener Bibhuti Pattanaik who, besides being the official link between the Jury and the Akademi, had arbitrarily presided over the Jury to the extent of driving it into selection of this book, had taken cognizance of Rath’s interview in response to which he had published his comments in the same paper admitting, inter alia, that Rath had put his signature most reluctantly in the selection sheet after Chhotray’s second preference added to Mishra’s adamant preference made the selection sure for ‘Achihna Basabhumi’; after which he had also raised “strong protests” against the selection of that book.

This shows that on January 3, 2012, the Akademi was also notified of the controversy over the selection.

PIL in Orissa High Court

On February 2, 2012, the Orissa High Court, on admitting PIL case No. W.P.(C) 1871/2012, had imposed an interim injunction on presentation of the Award and issued notice to the OPs comprising (1) the Union Ministry of Tourism and Culture represented by its Secretary, (2) National Academy of Letters (Sahitya Akademi), (3) the Akademi Secretary, (4) Language Advisory Board (Odiya), (5) Bibhuti Pattanaik, convener of the Akademi, (6) Chandrasekhar Rath, Jury of the Akademi, (7) Ramkumar Mukhopadhyaya, regional secretary of the Akademi and (8) Smt. Kalpana Kumari Devi, authoress of the disputed book.

So, finally, the Akademi was notified of the irregularities in selection of this book by the High Court of Orissa on February 2, 2012 also.

Corruption all around

On being thus notified of corruption in selection of this book, it was expected of the Akademi to review the selection. But corruption was so much across it, that, instead of reviewing the cultivated recommendations of its jury for Oriya language, it defended its decision to present the award and got the stay vacated by misleading the court with suppression of vital facts as well as by taking recourse to technical grounds rather than relying on reality.

Had the Akademi reviewed the selection, it could have seen from its records that the book was selected through sheer manipulation and shrewd canvassing by its authoress through her integral part in matter of the book: the publisher, Girija Kumar Baliarsingh, who had caused insertion of this book in the list to be placed before the Jury at the last moment. The mischief of manipulation is inherent in the Annual Award Rules of the Akademi.

Rule against Rule

When Sub-Rule 1 of Rule 3 provides for enlistment of eligible books by an expert in the concerned language “strictly” conforming to the “criteria of eligibility” laid down in the Rules, Sub-Rule 3 makes the LAB members eligible not to accept the list prepared by the language expert and to recommend two books each as eligible for the award.

Yet again, under Sub-Rule 1 of Rule 4, a committee styled Preliminary Panel is created comprising ten members called ‘Referees’ , who, under Sub-Rule 3 thereof are empowered to change the list of eligible books compiled with recommendations received from the LAB members.

This is the last phase of the eligibility list for the award. Hereafter, the jury is to select the book.

Thus, the Preliminary Panel is the Final Panel for altering the list created on recommendations of the LAB members and the list created on its recommendation becomes the Final List to be placed before the Jury.

The publisher of ‘Achihna Basabhumi’ was in this Final Panel, misleadingly styled Preliminary Panel and was the only one on whose recommendation, this book which neither the language expert nor the Advisory Board members had recommended, was incorporated in the final list by the Akademi.

That the publisher of the book Girija Kumar Baliarsingh had obtained a berth in the final panel and made the book inserted in the final list by misusing his membership in that panel style ‘Preliminary Panel’ is revealed from records of the Akademi.

Asit Mohanty, an Akademi prized author and Editor of Publications (Eastern Media) had made certain queries under RTI on selection of this book. In reply to his query at Para 5 (c-viii), the Akademi has informed that, “the awarded book ‘Achinha Basabhumi’ was incorporated in the process of award at Preliminary Panel Stage” when to query at Para 5 (c-ix), it has said that, “Sri Girija Kumar Baliarsingh, one of the members of the Priliminary Panel, was (the) only (one, who) recommended the book ‘Achihna Basabhumi’ for Award.”

Award arranged through canvassing

The role of the Regional Secretary of the Akademi as well as that of the Convener in ensuring selection of this book for the award is discussed earlier in these pages. When read therewith, the role of the publisher of this book, as exposed now on the basis of records obtained from the Akademi under RTI, makes it clear that there was a meticulously calculated, canny, clever and keen canvassing for the award for ‘Achihna Basabhumi’.

The nakedness of canvassing is manifested in inclusion of the publisher of the book in the final panel.

It is up to the Akademi to reveal as to who of the Advisory Board had recommended publisher Baliarsingh for inclusion in the panel wherefrom he could insert the book in the final list.

And for this, it also should reveal, whose pressure it succumbed to in appointing this publisher as a referee and in ignoring all ethics to accommodate this particular referee’s solo recommendation at the last moment in final compilation of the eligible books for the award.

I am afraid, it will not; because the selection of this book was steered through lobbying, in sharp contravention of the rules and ethics within the knowledge of the Akademi officials and with their cooperation, participation and support.

Withdrawal of the Award is necessary

If the Akademi officials were not been involved with this offense, on receipt of Dhal’s letter of resignation from the Advisory Board on December 24, 2011, which was sent in protest against favoritism in selection, the Akademi, in order to find out if any illegality was really resorted to in selection of this book, could have immediately reviewed the entire gamut of selection, starting from the ground list to its vetting through the Advisory Board to screening thereof by referees in the final panel coined as preliminary panel and insertion of this book for the first time in the final list, beyond knowledge and jurisdiction of the Advisory Board, at the final stage on the solo recommendation of a referee who himself is the publisher of this book.

Had it been done, the clandestine canvassing by the writer could have been noticed as the publisher of a book and the writer thereof form a single unit in appearance of the book and steps could have immediately been taken to declare the book disqualified for the award.

Sub-Rule 5 of Rule 2 stipulates that, “A book shall be disqualified for the award if it is established to the satisfaction of the Executive Board that canvassing has been done by the author.”

Therefore the chief executive of the Akademi was duty bound to bring the allegation of favoritism in this book’s context to the knowledge of the Executive Board for their action against shadow canvassing by the authoress executed through her integral part in appearance of the book, the publisher.

But the chief executive of the Akademi did not do so.

The book, which is a despicable book as shown earlier in these pages and elsewhere could not be disqualified for the award before the award was presented.

After the award was presented, the role of the publisher – the integral part of the author in bringing out the book, was disclosed by the Akademi that connotes canvassing by the writer through the publisher.

Therefore the book deserves post-presentation disqualification for the award and hence the award needs to be withdrawn.

Jury members: timid or tamed?

Award to ‘Achihna Basabhumi’ could have been nullified/withdrawn had Jury member Chandra Sekhar Rath who has kept his post-announcement protests against the selection on records, been a bit honest; and if Debdas Chhotray who, in the Jury meeting, had primarily preferred another book, could have come forward to help people know the shenanigans that had preceded this selection.

There is no doubt that the Akademi officials are aggressive offenders of the very Rules, which provide for the award. But they are so very aggressive that, members of the LAB as well as of the Jury are afraid of disclosing where the shoe pinches lest that irritates the officials.

The High Court had served notices on the advisory board members through the Convener. Had they or any of them come forward to say that ‘Achihna Basabhumi’ was not in the list compiled on their recommendation, the court could not have said that the selection of this book was processed through “different expert Bodies and Committees …… formed by the National Sahitya Akademi to select the works of different authors”. And, might be, the wrong in holding this despicable book as “the most outstanding book” in Oriya language could have been corrected.

Supposing that the Convener suppressed the court notice and did not circulate the copy thereof amongst Board members, what about Chandrasekhar Rath, who had vehemently opposed the selection of this book for the award in the jury meeting itself and had, in his Sambad interview, given the impression that he had to sign on dotted lines for which his conscience was biting him bitterly and he was in deep remorse?

From the High Court verdict it transpires that he was personally notified of the case; but he did not respond.

Had he responded to the court notice and placed the facts he had divulged through the interview, the verdict of the court could certainly have not gone in favor of the Akademi and the stay on presentation of the award could not have been lifted; because the court could not have approved the illegalities resorted to in selection of this book.

Is Rath a timid fellow or was tamed by the Akademi after the Sambad interview to stay away from telling the court the truth? The answer is best known to him.

Tamed Tenacity?

It has been revealed even by the convener that when two of the members were against the awarded book, only one member of the three member jury, Srinibas Mishra, had declared at the start of the Jury meeting that he would never support any book other than ‘Achihna basabhumi’.

He is a retired person, too old for serious perusal and evaluation of so many books of so many diversities and genres in so small a time, such as a week, as LAB member Barendra Dhal has noted in his reported resignation letter.

Had he seriously read even one book, i.e. the book he so tenaciously supported, he could not have supported the book at all.

Because, a retired teacher like him could not have supported a book of filthy, insulting and obnoxious words hurled at people of lower castes, women, widows, and Muslims; a book of contempt against societal unity, against national integration and against progressive virtues.

Why he was so fixed for this particular book? Was it also an instance of tamed tenacity? This agonizing suspicion should be cleared. But, it may be clear if Mishra honestly gives a detailed account of how and why he found this book to be the “most outstanding book” of the period.

Debdas’ surprising silence

But the other member of the jury, Debdas Chhotray, who, at the beginning, had declared that none of the books in the final list was eligible for the award, had subsequently expressed his preference for a book other than ‘Achihna Basabhumi’. What happened that he helped this book with his second preference despite it being a despicable book, is a point of public interest.

Therefore I had sent him a properly explained questionnaire, which, had he answered, could have better helped in location of malpractice, if any, in selection of this book for the national award and in projection of a despicable book as “the most outstanding book” published in Oriya language. The questionnaire is perusable here. Why a man like Chhotray preferred not to cooperate is a conundrum.

Role of the Bar at India International Centre

However, a look into old files brings me into pages of Outlook India wherein well known Hindi writer Krishna Sobti was quoted to have said, “Undoubtedly, there is a literary mafia at work.”

How the mafia works? Says Sobti, “There is always a silent decision to promote someone or the other. It’s a circuit game barred to outsiders. Only a few have access to the India International Centre bar where so many things are decided.” (Outlook India, November 01, 1995)

If Jury members are gained over in bars such as at India International Centre, New Delhi, how can one expect of them any faithful adherence to Rules of the national award?

In the same discussion, Sheelbhadra, who also drew attention to the fact that a jury member had even claimed credit for ‘getting’ a particular writer his award, has said, “Personal factors obviously influence the selection of books by the language committees”.

Should we not know what Khushwant Singh has said in the same story?

In recalling his decision to quit the Sahitya Akademi’s award panel after a writer, whom he had reported for lobbying for her book, not only got the award but even declared her husband would get one the following year, Singh has said, “The kind of lobbying that goes on is shocking. In particular, there is a rampant scandal in Punjabi awards. I can’t think of a single Akademi award-winning book that has been commercially successful: they are simply unreadable.”

And, who can say, the India International Centre bar is barred to Punjabi writers?

Sanctuary of literary mafia

In their well documented write up captioned ‘Literary Mafia’ Amit Prakash and Y.P.Rajesh have exposed how award fixers are ruling the roost in the Sahitya Akademi.

“A talented Indian language writer today would need to be both influential and old, if not dead, before he is read and formally recognized by ……… the Sahitya Akademi.

“Though it is still a gentleman’s game compared to the vicious politicking, scandals and goondaism that plague the art world, the fortune and fame of many Indian writers are determined by a well-entrenched literary mafia in Delhi. A society for mutual admiration, it is a close knit group of ‘established writers’ and writer-bureaucrats who lord over vast networks of patronage. Outsiders stand little chance of breaking into this circuit and stumble in either by default or for sheer want of a favorite in a particular category or language”.(Ibid)

Exposure by Chittaranjan Das

Famous essayist and author, late Chittaranjan Das has described his experience as a member of the jury of the Akademi in Pragativadi dated June 30, 2003.

When, to avoid canvassing, it is a must for the Akademi to keep secret the names of the Jury members and this secrecy is so absolutized that no member of the Jury can know who the other members are, Das has revealed in his write-up, how he was approached by the other two members of the jury one by one and pressurized by both of them to select a particular book to ensure the award for a particular person.

Even a close friend of Das, who was not in the Jury, was used to pressurize him in support the same book, Das has said.

He has even revealed that both the other members of the Jury having decided ahead of the Jury meeting to select that particular book, his signature was formally collected by an officer of the Akademi on the sheet of paper reflecting the pre-session decision.

If Akademi officials were not involved with such award fixing, how could Das be known as a member of the Jury to others and how other two members could be gained over to have selected the book even before the Jury met?

This stripping of the Akademi by the eminent essayist, who was revered not only as a great litterateur but also as a paragon of Gandhian virtues, makes it clear that the Akademi of letters has become a sanctuary of literary mafia.

The allegation that the Convener had made

It reminds me of how in the matter of Sahitya Award-2004, in a public function of the Akademi itself at Balasore on 8 February 2010, its Convener Bibhuti Pattanaik had set the State’s literary environment ablaze by claiming that the climate of corruption prevalent in the country has also affected the nation’s highest awards for literature.

As an instance, in a conniption, he had exposed how Prafulla Mohanty had succeeded in bagging that award by bribing Jury member Manoranjan Das, with dismaying details.

It is an irony that with the same Bibhuti Pattanaik continuing as the Convener, the Award-2011 has gone to a despicable book by manipulation through illicit nexuses!

What else than the wrong practices of entertaining award-fixers in the Akademi could be responsible for this?

Awardee known
four months ahead of selection

As reported on 27 December 2007, an open appeal to the Central Culture Minister was made by eminent writers including Mahasweta Devi, Krishna Sobti, Ashok Vajpeyi, Vishnu Khare, J.P.Das, Pratibha Ray,and Ajit Cour to save the Akademi from the labyrinth of irregularities and from the grip of award fixers.

But amongst these signatories, there is one such writer who had bagged the award by manipulation!

Four months ahead of announcement of the award,former Secretary of Orissa Sahitya Akademi Dr. Hara Prasad Paricha Pattanaik had told me the name of who would get the award. And, when this particular person got the award, to what extent procurement of the award has become easier for the unscrupulous became crystal clear. In a different context, in a 2007 discussion, I have kept this information on records in these pages.

Multiple devices

“Controversies around awards in other Indian languages are not as loud as those in Hindi, which drag in all sorts of isms — cronyism, casteism, political affiliation, ideology”, says Neelabh Mishra in Outlook India of March 08, 2010.

So, not only New Delhi’s India International Centre bar, but also multiple devices like bribe, cronyism, casteism, political affiliation, ideology et cetera are in active use in selection of books for Sahitya Award.

Chronic corruption

Who but the intelligent persons can be writers and, as writers, aspire for national awards? But it also is a fact that whosoever is corrupt, is intelligent.

Like birds of the same feather, intelligent people may flock together without the risk of being easily caught for differences in avocational genre.

So in the Akademi, there is always a generic nexus between the intelligent ones with literary aspirations and the intelligent ones who thrive on corruption. Resultantly, corruption is chronic in the Akademi.

Salvaging attempts screwed up

Attempts were made to salvage the Akademi from this labyrinth in 1964 by reviewing its activities though a Committee headed by Dr. H. J. Bhabha and again in 1970 though another Committee headed by Justice G. D. Khosla. As findings thereof had no impact on the Akademi, a high-powered Committee headed by P. N. Haksar was appointed in 1988 about which we have already mentioned. This being a high-powered Committee, action on its recommendations was supposed to be sure. But mafia ruling the roost in Akademi matters screwed it up.

Parliamentary Standing Committee does a dig

With a Communist Sitaram Yechury at the helm, the Parliament’s Standing Committee on Transport, Tourism and Culture thought it prudent to look at the functioning of the autonomous cultural bodies including the Akademi and in the process stumbled upon the Haksar Committee report ignored by the Akademi, abandoned by the Government and buried under dusts of time. It had to force the Ministry to retrieve the report, but it failed to find if any action was taken thereon; because, the concerned files were reported to be missing.

In introducing how it stumbled upon the Haksar Committe report, the Standing committee says, “The Committee had received inputs from various quarters, governmental and nongovernmental including Media, about the working of our premier cultural bodies – Sangeet Natak Akademi, Sahitya Akademi, Lalit Kala Akademi and National School of Drama. The issues ranged from their constitution, composition, mandate and mainly their general functioning. It was felt that most of these institutions were not able to live up to the original mandates set out by their founding fathers. Controversies of different kind involving these institutions that keep cropping up from time to time, had caught this Committee’s attention. Questions were also raised about the indifference and helplessness shown by the Ministry of Culture to do anything in the face of autonomy enjoyed by these institutions.(Para 23)

“In view of this, the Committee wanted to find out if these institutions set up during the initial years, were able to make the desired contribution towards enriching, promoting and preserving our arts and culture”. (para 24)

“To begin with, the Committee prepared a questionnaire and sent to the Ministry of Culture for furnishing replies, based on which it could begin its deliberations. During the deliberations, the Committee came to know that similar sentiments about the functioning and activities of these institutions had existed even during the sixties and thereafter, which is why different Committees had to be set up for going into their working”.(Para 25)

Files gone missing

The Standing Committee came to know of three different Committees constituted for the purpose in the past, the last being the Haksar Committee, which was a “High-Powered Review Committee” created for the purpose of salvaging the Akademis.

It “asked for a copy of this High-Powered Committee Report (Haksar Committee) from the Government and it was surprised to know that files relating to action taken to most of its recommendations had gone missing and the Ministry of Culture was trying to locate them. However, a copy of the Haksar Committee Report was furnished to this Committee. The recommendations/observations of this Committee (Haksar Committee), in fact, were an eye-opener to this Committee that were found to be as relevant today as they would have been more than two decades ago when it was submitted to the Govt. of India in the year 1990”, the Parliamentary Standing Committee has noted at Para 26 of in its report tabled in the Parliament on 17 August 2011.

Decision of the Standing Committee

Convinced of the relevance of the Haksar Committee report, which was produced on the basis of in-depth scrutinization of “the records of the institutions including the agenda and proceedings of their policy-making bodies, executive and academic bodies and internal committees” on the one hand; and on the other hand its interaction “across section of people active in the fields of performing and visual arts, language and literature, education and cultural administration over the country”, but was lying abandoned, the Standing Committee “felt that it would be unnecessary duplication of efforts and resources for the Parliamentary Committee to start another exercise of reviewing the working of these institutions as it had initially decided”.

Therefore, the Committee “took a decision to review the implementation of the recommendations of the Haksar Committee and report its observations/recommendations to Parliament which might sensitize the Government, Akademis, NSD and the people at large, about the significance as well as the neglect of these bodies in our nation’s life”. (Para 28-29)

Concerned as we are only with the Sahitya Akademi in this essay, we will look into the affairs only of this Akademi as mentioned in the Standing Committee Report to the extent that is relevant to the topic in our hand: the Annual Sahitya Awards.

At Para 9.46 of its report, the HPRC headed by Haksar had observed, “The Sahitya Akademi needs to take note of the general dissatisfaction regarding the present system of deciding its annual awards.” To query of the Parliamentary Committee on this point, the Akademi refused to agree to this, as there has been no objection over its present system of selection.

The Standing Commiittee has refused to accept the the version of the Akademi. It has noted, “The Committee endorses the recommendation of the HPRC and is of the view that selection process is not without any controversy. It is true about Sahitya Akademi award also. What is needed is to follow a very transparent and comprehensive selection process with least scope for favoritism, etc. The existing selection process may be re-examined accordingly and intimated to the Committee.”

The Haksar Committee had further said that, “The juries must apply the most exacting standards. If no book or author in any given language comes up to the mark, no prize need be awarded. The existing guideline to this effect should be strictly enforced.” (Para 9.51 of its report) To query of the Standing Committee on this count, the Akademi said that the recommendation has been “implemented” and the Standing Committee took note of it. But as shown in this chain of discussions in these pages, it is clear that the recommendation is observed more in violation than implementation. Corruption has engulfed the entire process.

“Our conventional wisdom says that a society bereft of art, music and literature will consist of people as good as animals with no horns and tails. The main challenge before us today is to protect and promote our tangible and intangible cultural assets at a right perspective.” The Parliamentary Standing Committee had introduced its report with this note.

Challenge remains a challenge

But the challenge has remained a challenge. The Akademi has remained the Augean Stable of Indian letters, as is established by award to ‘Achihna Basabhumi’.

It is time, the Standing Committee of the Parliament, in this context, should find time , to review the implementation of its views. And, the sooner it is done, the better.

Prasanta Patnaik’s ‘RAVAN PODI’ Launched Together With Mrs. Patnaik’s ‘SWARA MAYA’

Subhas Chandra Pattanayak

Authors in Orissa enrich Oriya literature everyday. But not everyday a couple makes its contribution to literature together. Eminent journalist Prasanta Patnaik and his wife Prof. Chandraprava Patnaik, on the day of their 43rd marriage anniversary on January 23 have done this to the best of pleasure of their admirers and reading public.

Prasanta babu’s Ravan Podi is a compilation of his short stories depicting life in contemporary times that he, as a journalist, has watched whereas Mrs. Patnaik’s Swara Maya is a collection of her poems that depict romance of tear and laughter in female life. Prof. Dr. Soubhagya Kumar Mishra and Vice-chancellor of Ravenshaw University, Debdas Chhotray, both poets and lyricists of eminence, launched the books, brought out by Associated Media Foundation.

Many a prominent persons attended the lively function at Hotel Keshari, Bhubaneswar, where Dr. Rangadhar Sahu delivered critical appreciation on both the works.

When welcome speech was delivered by journalist Bauribandhu Moharana on behalf of the Foundation, its secretary Puspaja Dhal proposed the vote of Thanks.

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