Konark temple owes its philosophical origin to Langudi

Konark temple owes its philosophical origin to Langudi.

Krushna was a concept of Revolution, not a God

Subhas Chandra Pattanayak

Krushna was not a God. He was a character conceived and created by the revolutionary poet – Muni Vyasa – in his epic Mahabharata, epitomizing his concept of revolution against tyranny and exploitation.

He was generated by Vyasa’s thinking elites – represented by Devaki and Basudev – who, because of their opposition to oppressive autocrat Kansa, were being incarcerated time and again. And in the prison, they were giving shape to their concept of revolution, which again, every time, was being crushed within the prison compounds, before reaching the public.

In fact, it is the elites – persons of erudition, knowledge, ability to analyze socio-economic phenomena – that create revolutions against oppression and exploitation, against machinations in use by rulers to keep the people suppressed and subjugated.

Devaki and Basudev, the sister and brother-in-law respectively of Kansa, were, thus, symbolic of the then elite, who had tried to create a revolution against patriarch autocracy practiced by Kansa. All their attempts to create a revolution against the oppressive system were violently crushed by the tyrant Kansa. Yet, while perishing in his prison, they were giving shape to their revolutionary concept.

Amidst the masses

After seven such attempts failed, they felt that unless the people in general were involved with the revolution of their concept, they will not succeed in their endeavor.

So they decided to take their revolutionary concept into the midst of the common toiling masses.

On the eighth attempt, they succeeded in putting their concept at the disposal of the masses, symbolically projected as the cowherds.

This concept was christened Krushna, meaning the one that attracts everybody (Akarshayati Iti Krushnah) and when this Krushna grew up, it gave birth to such a massive mass upsurge that the tyrant Kansa died in fear, absolutely unable to face the challenge.

Kansas gallore

The same practice of crushing progressive revolutions by the rabid reactionary capitalists by implicating the revolutionaries in false cases, by incarcerating them and torturing them in the prisons, is galore everywhere including India.

If emancipation is essential, one is to understand the tricks of misleading the people aboub Krushna through concocted legends, to understand what Krushna really was and and address oneself to what he stood for in Mahabharata, instead of staying misguided by exploitive machinations that willfully and mischievously project Krushna as a God.

Before that, a difference

Before understanding Krushna, it is essential to know the background of his creator.

Vyasa, the creator of Krushna, was a Muni, not a Rushi.

When a person known for the brags that he has seen the God and the Veda being delivered by the God was called a Rushi (linked to ‘Drush’ – a seer), a person who was known for his views based on deep analysis was being called a Muni (linked to ‘Manana’, literally meaning ‘deep study’).

Vyasa was a Muni

Vyasa was a Muni. He was born out of rape of his mother Satyavati belonging to boatsman tribe by a Rushi namely Parasara, while she was ferrying him across a river.

The Vedic society was patriarch and in that society, under Vedic provisions claimed to have been ordained by the Almighty, any Arya male was entitled to rape any woman he desires, to beget a son; and when a son was born, to take away that son from that woman.

So, when Vyasa was born, Parasara had taken him away from his mother and given him education in the Vedic system.

But Vyasa had never forgotten the injury caused to his mother and to his own childhood by the patriarch system perpetrated by his father – a Rushi – in the name of Vedic privileges and hence he had refused the Vedic system pivoted on and preposterously contributing to blind belief.

He had emerged as an epoch making socio-political scientist whose works and words were based on practical analysis of discernible phenomena and intelligent interpretation of ancient wise words, if any, coined by the few progressive elements even in the Vedic system. He was therefore revered as Muni Vyasa.

An epic of war against oppression

As he had never forgotten the rape of his mother by Parasara, whom the Vedic system had projected as the grand son of Brahma, the greatest of the Gods whom creation of the universe was credited to, he created his Mahabharata as an epic of extermination of patriarchy and socio-economic oppressions it had legitimized.

Begins at Nahusa

In the first event placed in his epic is the episode of Nahusa. Nahusa was a man who was chosen by the Gods to rule over them, as their king Indra had been banished from the throne for his brutality and no God was capable of ruling over the rest.

In placing this matter before the public, Vyasa showed that human beings are better than the Gods.

He then proceeded to show how power corrupts.

Nahusa was chosen by the Gods to be their king, because he was a man of all humane virtues. But after occupying the most powerful position, he became too proud not to indulge in corruption. Power corrupts and absolute power corrupts absolutely, as they say.

Being consecrated as the king of the Gods – Indra, Nahusa wanted the queen of the Gods – Sachi – in his bed, which Sachi refused.

Then Nahusa tried to rape her. She ran in panic and besought refuge at citadels of all leading Gods including Brahma. But none of them dared to come to her rescue in fear of Nahusa’s wrath.

Only a Muni like Vyasa – Muni Narada – came to her rescue and bravely obstructed Nahusa. He castigated the new Indra – Nahusa – for the sin he was committing and dissuaded him from chasing Sachi, saying him that he should stay away from the wife of the dethroned Indra as that would be the worst of the sins. “Nibartaya Manah Papat Para Dara Vimarsanat” is what Vyasa uttered in the mouth of Narada. And, Nahusa, understanding the mistake he was going to commit, repented and prostrated before Sachi by accepting her as a mother.

Ends at Jaduvansha

Begun from this major episode, the Mahabharata ended with extinguishment of the clan of Krushna (Jaduvansha), who acquiring privileged positions that the popularity of Krushna had given them, had plunged themselves into enjoyment of sex to the extent of fetching by force any daughter of any king they liked.

By exterminating the entire Jaduvansha, Vyasa mercilessly punished the misusers of revolution.

Class War

And, in between the Nahusa episode and the Jaduvansha episode, he depicted a class war between the patriarch Kaurava autocracy and the matriarch Pandava democracy and made the patriarch autocracy – epitomized by Dhrutarastra and his son Duryodhana – obliterated in a war called ‘Mahabharata”, wherein classes were distinctly polarized.

In what is called Bishwarupa of Krushna, he showed how his revolution called Krushna was a synonym of everything best in the Universe.

His Krushna was the society in its entirety, in whose mouth, Vyasa had called upon human beings to extricate themselves from the labyrinths of religions as every religion was an obstacle to emancipation. “Discard all the religions (Sarva Dharman Parityajya) and accept me as the final refuge” (Mamekam Sharanam Braja), he – the epitome of the society – had said.

This word “Mamekam” was not difficult to understand in the context of Krushna’s Vishwarupa. Yet, it was further annotated when the supreme projection of Matriarchy – Devi Durga – declared “Aham Rastri Sangamani” – I am the collective power of the people that form the State.

We, the people of Orissa

And, on this perception only, we the people of Orissa have rechristened the greatest son of our soil – Gurudev Buddha, the first founder of world outlook beyond all mischiefs of sectarianism – as our national deity Sri Jagannatha and equated him with Vyasa’s Krushna.

When to us, “Nilachale Jagannatha Sakshat Dakshina Kalika” (In Nilachala Puri, Jagannatha is Dakshina Kalika), we also equate Krushna with Kali the most powerful symbol of matriarchy, by saying, “Kalou Kali, Kalou Krushna, Kalou Gopala Kalika”.

So the combined force of the people – Kali, as announced in “Aham Rastri Sangamani” – is Krushna, the revolution, as annotated in “Akarshayati Iti Krushnah”, gets sharpened by being adopted by the masses in the grassroots, as symbolized by the word “Gopala”.

And, such a revolution takes birth in the pernicious prisons of oppressive rulers.

Wish, it takes birth in every prison

To us, therefore, Krushna is the revolution that a poet of India – Muni Vyasa – had conceived of, against politics of tyranny and exploitation, that had given the clarion call to discard dilly-dally in matters of class war (“Kshyudram Hrudayadaurbalyam Tyaktotishtha Parantapa”) and to fight the class enemy come what may (“Hato Ba Preapsyasi Swargam Jitwa Ba Bhokshase Mahim“) and to achieve emancipation by exterminating the enemy (“Tasmaduttishtha Kaunteya Yuddhaya Kruta Nishchayah”). Under his scheme, everybody has a right to work (“Karmanyebadhikaraste“) sans any selfish claim on the result thereof (“Ma Phalesu Kadachana”), because such claim would help individual avarice spread to the detriment of societal collectivism and defeat the cause of emancipation. Thus, Vyasa’s Krushna was for a society where everybody works to the best of his/her ability for the Society and the Society fulfills his/her essential necessities for fair living.

We, therefore, celebrate the birth of Krushna and wish this Krushna to take birth every day in every prison of tyrants in every nation.

Immortal Pt. Raghunath Panigrahi

Pt. Raghunath Panigrahi on the pyre
I stand silently in your honor, immortal Pt. Raghunath Panigrahi!

I suffer sever shortage of words to offer my oblation to you; and I know, how much I say, it will never be the last oblation.

I am only one of crores of Oriyas, each of who had a heart that you reigned over.

But, I know, I have a corner in my heart where your rule shall continue for ever.

Subhas Chandra Pattanayak

Mother Orissa, if Yotsna is silent, wherefrom shall I get the words to console you?

Subhas Chandra Pattanayak

Mother Orissa is, this afternoon, bereft of Yotsna Rautray, her daughter of extraordinary creativity, whose role as an author was as humanitarian as ethical was her contribution to journalism.

YotsnaWhen a student of class eight, she had earned the rare distinction of becoming a published author with her first novel “Gaira Atmakahani” receiving critical acclaim in the famous soil of letters, Balasore.

In all her works, such as ‘Kichhi Nirdosha Ghatana’, ‘Potashraya’, ‘Bhinna Bhugola’, ‘Anya Nadi Anya Diganta’, ‘Baitaranikulara Jhia’, ‘Draupadi’, ‘Parajita Samragni’ etc, and her acclaimed columns, sic passim was the same signature of humane values that her first published work had carried.

One who has watched her on the desk of Orissa’s first modern broadsheet ‘Sambada’, knows how ethical and keen was she in editing. She was there, since its inception, for more than two decades till she decided with her husband Jimuta Mangaraj, who was also a staff reporter in Sambad, to lead a self-employed life in journalism.

With her passing away, at the age of 55, a chapter that had begun with her birth in 1958 was abruptly closed on a bed in a private hospital at Bhubaneswar this afternoon, when the sky was sending monsoon showers to collect her last breaths in the softest possible fold of vapors the rains could create, oblivious of how that would cause a severe loss to Orissa’s world of journalism and literature.

Her absolutely untimely demise is the severest loss to Jimuta, her partner in life and profession; and to her daughter Rutuparna, and to her son, Amrut; and to her in-law and natural relatives. But to me, and to many others like me, a personal loss, that can never be encompassed in words.

Mother Orissa, over physical extinction of such an object of your pride, wherefrom shall I have the necessary words to console you?

Women population reduced in educated districts when rises in illiterate tribal belt: Director of Census, Orissa

MEETING-2
In a seminar on July 24 on “protection of women and law” organized by Utkal Mahila Samti, Bhubaneswar, a premier women organization of the State, on Tuesday, Director of Census in Orissa Dr. Bishnupad Sethi. IAS, came out with a startling fact that when women population is safe and in the rise, survey shows its decline in the more educated districts.

Poet Bishnupada Sethi, I.A.S. was the Chief Guest, and Dr. Mangala Prasad Mohanty, Dr. Madhumita Parida, and Dr Smita Kanunho were the guests of honor along with well known media person Prasanta Patnauiik.

Speaking as the Chief Guest Mr Sathi cited the latest population survey that revealed that the women population has been reduced in districts of Nayagarh and Khurda which have high percentage of literacy, but in contrast, the tribal districts have recorded higher women population.

Dr Mangala Prasad Mohanty, Secretary of Indian Red Crosss Society, Orissa branch, legal expert Dr Madhumita Parida and Dr. Smita Kanungo highlighted the rights of the women and legal provisions to protect them.

Journalist Prasanta Patnaik said that the women who become the victim of atrocities are not getting adequate protection from the Government and the Society. Citing the example of Paipili gang rape victim Babina Behera who sacrificed her life to protect her friend who was a victim of gang rape was not given adequate recognition for her brave act by the Governments, both in the State and in the Centre when it was no less noteworthy than that of Delhi victim Nirvaya who was honored by the USA and Indian Government.

MAHARI DANCE BY CHANDRIKA RANA AND TEAM-1SAMBAPURI DANCEThe seminar was followed by a colorful entertainment program. Famous Mahari dance by Chndrika Rana and her party, Odissi by Bibek Mohanty and Padmini Padhi, Odissi also by Kumari Rajlaxmi and Lipsa Panda, Sambalpuri by members of UMS artists. and modern dance by child artist Nupur Mohanty kept the audince spell nound for hours.

Eminent film and TV artist  Madhumita Mohanty and social activist Asmita Patnaik from Raj Khariar were felicitated for their commendable activities .

The Samiti extended financial help for treatment of Smt Ka. Laxmi and Miss Swati Sahu for their treatment.

Advocate Arati Patnaik president of Utkal Mahila Samiti, presided over the function when Secretary Chandraprva Patnaik conducted the seminar. Chinmayee Sarangi, Ediotr, Bhija Mati and Puspaja Patnaik of Associated Media Foundation contributed to success of the event.

Orissa Society of the Americas heard Sam Pitroda on what is going on in the name of development in  India and Orissa

From Manoj Padhi, Moderator-OSANet

The three day long convention of the Orissa Society of the Americas (OSA) concluded on 7th of July in Chicago. It was one of the most memorable conventions in a long time. A large number of people – about 1300 to 1400 from different parts of North America as well as Orissa attended it.
 
Sam Pitroda addressing osa, 2013The first day of the convention was devoted to The Orissa Development. It began with a very thoughtful overview of what is going on in the name of development in  India and Orissa, presented by Mr. Sam Pitroda, an adviser to the Prime Minister of India on Public Information Infrastructure & Innovations. It was followed by a session on Invest Orissa in which entrepreneurs from Orissa such as Ayaskanta Mohanty, Satyabrat Dutta and Debasish Patnaik among others presented their projects followed by a lively discussion. The second panel was devoted to Higher Education opportunities for Oriya students. Prof. Abani Patra of the State University of New York at Buffalo moderated it. The presenters were Prof. Richard Taub of University of Chicago, Prof. Usha Menon of the Drexel University, Philadelphia, Prof. Triloki Pandey of the University of California, Santa Cruz, Dr. Sukanta Mahapatra of New Jersey, Prof. Asit Pattnaik of University of Nebraska and Mrutunjay Suar of the KIT university, Orissa. It covered various subjects dealing with Higher Education and various opportunities available in the United States. The first day sessions ended with a report on the Buddhist Heritage of Orissa, an international symposium organized by the Ministry of Culture and Tourism of Orissa in last February. Prof. James Freeman of San Jose State University, California, was the keynote speaker in this session and it concluded with a viewing of a documentary film titled The Myth of the Birthplace of Buddha, made by Prof. Freeman.
 
Sj. Dinanath Pathy, a versatile artist from Orissa as the Chief Guest and Dr. Pratibha Ray as the Keynote Speaker, inaugurated this year’s OSA convention. They spoke well about the culture and heritage of Orissa and how the diasporic Oriyas can maintain it.
 
Various symposiums on issues such as Legal rights of NRIs and PIOs; Women’s empowerment; youth entrepreneurship; Health, Body, Mind and Spirit; Champu, Chanda and Odissi vocal competition; poetry; entrepreneurship; Jagannath culture and tradition among others were organized. People in large numbers enthusiastically participated in these forums.
 
The important features of this year’s convention include:
Vigorous participation by the young generation Oriyas and a very congenial atmosphere created by the positive synergy between the local chapter and the OSA national. Both young and old appreciated the cultural performances.
 
Three Oriya entertainers from India – Kuna Tripathy, an actor and comedian and a political satirist from Orissa, Krisna Beura, a Bollywood star singer and Sniti Mishra of SAREGAMAPA fame, participated in this event.  They entertained the audience till the wee hours on every day during the convention.
 
I would like to commend Gyana Patnaik, the convener, Sushant Satpathy from the OSA national and all the members of the Chicago team for orchestrating this very complex event in a very smooth and flawless manner. Unlike some of the earlier conventions, the cultural programs this year were very well organized and the time management was exemplary. Food was excellent and plenty and gracefully served by volunteers with a smile on their face.
 
The newly elected OSA executives,Tapan Padhi from Dallas, Texas as the President; Sikhanda Satpathy, from Washington DC, as the Vice President; Sabita Panigrahi from Canada as the Secretary; and Prasanta Ranabijuli, from Dallas, Texas as the Treasurer were installed into their respective offices at the General Body meeting during the convention.
 
The next OSA convention in 2014 has  been scheduled to be held at Columbus, Ohio.
 
Immediate past president, Orissa Society of the Americas, Annapurna Pandey has thanked every participant for success of the event

 

Orissa Society of Americas scheduled to celebrate its 44th convention

(From Manoj Padhi)

The 44th  Convention of OSA (Orissa Society of Americas) is going to be held at  Westin hotel Lombard, a suburb of Chicago USA, from 4th through 6th of July 2013.

Eminent author Dr. Pratibha Ray and veteran artist Dr. Dinanath Pathy  would grace the convention as Chief Speaker and Chief Guest respectively.

Social activist and  tribal leader Ms. Tulasi Munda will be honored as  outstanding Odia for her life time contribution for social downtrodden people.

Mr. Sam Pitroda will inaugurate Odisha Development Symposium on 4th of July wherein a delegation of eminent realtors, hoteliers and businessmen would participate to project various opportunities in Odisha in their respective areas.

In addition to it, Seminars on  Higher Education and Budhism would be held on Thursday i.e on  4th of July.

On 5th and 6th, there are well planned seminars covering health, career, women, spiritual, religious, business and entrepreneurial skills.

When our younger generation is spearheading these programs, a Souvenir  is going to be published in commemoration of this gala event.

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